Mark Borghi

Andy Warhol

Campbell Soup Can Bag

Campbell Soup Can Bag

1964

 

Acrylic and Silkscreen ink on paper

19 x 17 inches (48.3 x 43.2 cm)

Signed verso

This work is an original hand colored bag by Warhol it is stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc. and numbered on the reverse

 

Ex-collection:
The Artist
Ben Birillo 1964-2008
Private collection

 

Exhibitions:
“The Great American Pop Art Store-Multiples of the Sixties” (1997, University Art Museum, California State University, Long Beach).also illus. page 32 in the book of the same name by Constance W. Glenn.
The Tate, Liverpool/Schirn Kunsthalle, Frankfurt, “Shopping: A Century of Art and Consumer Culture” exhibition (2002-2003)

 

About the Painting:
The driving force behind the 1964 display of The American Supermarket was artist Ben Birillo, partner with Paul Bianchini in the Bianchini Gallery, who devised the installation, approached artists and produced many of the works on display. Starting on October 6, 1964, Birillo staged a weeklong “Grand Opening” in the Gallery that mimicked the attention-grabbing and point-of-sale promotional techniques of supermarket operators. One thousand buttons with turkey, apple, or soup can motifs were given away free, while a hot dog stand provided nourishment to the “shoppers” and art collectors who snapped up ‘Specials’ such as actual Campbell’s soup cans signed by Warhol for only $18. A neon sign advertised Ballantine brand beer and illuminated signs led customers to the Egg, Fruit and Bread aisles. In the rear of the store, melons, apples, pears and bananas, as well as lettuce, tomatoes, peppers, and zucchini by Robert Watts were displayed on colored paper in wooden crates. Twelve dollars bought customers a paper bag silk-screened with a Campbell’s Tomato Soup motif by Warhol or a turkey motif by Roy Lichtenstein. Fake sirloin steaks by Mary Inman went for $27. The exhibition attracted thousands of curious visitors and widespread press attention including a full-color feature in Life magazine.

 

With its Pop Art proprietors The American Supermarket celebrated the spectacle of consumption with a happening-like event in which shopping was elevated to an art form and serious art collectors were turned into ordinary supermarket customers